vement across t上海夜生活he GBA. Ma Huateng, founder and chief executive of Tencent, believes rigid restrictions on the flow of talents in the GBA has prev
ented Hong Kong companies from hiring people from the mainland and has raised the idea of a GBA ID card, which wou上海夜生活
ld allow Hong Kong and Macao residents to save their “mainland travel permit” information on their mobile pho
上海夜生活女神会所nes to give them greater mobility plus access to services such as mobile payments.
Talents who can speak three languages needed
What we are seeing now is a real demand for trilingual cand上海夜生活品茶微信idates who sp
eak English, Mandarin and Cantonese. They are essential to facilitate cross-border cooperation. Eventually the regi
on should be more open in order to bring in global talents to support the development, which is happening now. Bu
上海夜生活t we are seeing a high demand for returnees who have studied and/or worked in Western countries.
The rerun of restored classic TV dramas backed by some promotional campaigns on v
ideo-streaming sites has borne fruit. For example, the restored version of the 2010 TV h上海夜生活女神会所
istorical comedy-drama, Li Wei the Magistrate 3, on Youku has gained surprisingly high views that are mainly f
上海夜生活rom the fans of actress Zhao Liying, as the show starred their idol long before she joined the A-list.
During this year’s Spring Festival holiday, iQiyi released 25 restored classical works, like The Kan上海夜生活
gxi Dynasty and garnered massive views. So to tap the huge potential of the summer season, Youku has set up the “HD C
上海夜生活lassic” section featuring 1,000 restored classic film and TV productions in 1080P resolution.
Conductor Yu Long chose Chinese composer Chen Qigang’s violin concerto, La Joie
de la Souffrance (The Joy of Suffering) to appear on his new album wit上海夜生活
h the Shanghai Symphony Orchestra, Gateways. But Yu’s first encounter with Chen was not exactly harmonious.
Yu wanted to perform one of Chen’s compositional works during the上海夜生活女神会所
Beijing Music Festival, an annual classical music festival held in the capital, which Yu fou
nded in 1998 and of which he was artistic director from 1998 to 2018. However, Chen said no. Instead, the c
omposer floated the idea of having a concert where the repertoires were all written by him.上海夜生活
“Usually a concert featuring work written by one composer is held to commemorate them after death. It did not seem like a good
idea to me back then,” recalls Yu. “However, after listening to Chen’s work, I changed my mind. The concert was su上海夜生活女神会所
ccessful and I told Chen immediately after the concert how touched I was by his music.”